fatdemoman:

thok-ast-thok:

honestly the “overwatch as futuristic WWE” theory explains so much about the game:

  • the implausible backstories
  • the stage names
  • the exaggerated personae
  • how nobody’s origin story actually seems to impact who they fight
  • the highly specific and long-running rivalries
  • the nonsensical timeline
  • how half the cast has “died” and then come back
  • how it’s never clear what anyone’s actually fighting for

and nothing blizzard does in-universe can disprove it because it’s all part of the narrative

arsenicjade:

fangasmagorical:

blooming-wilting:

gladnis:

hey ao3 can you like give the extra $38k you made from this month’s funds drive to charity

You know it legally is a charity, right?

If x charity aims for £10, but gets £15, would you expect then to give back the extra five or give it then to another charity? No. Any extra costs go into the “rainy day” fund; sometimes servers crash or break, sometimes false reports are made that require the legal team, sometimes you need to hire coders or what not to implement new features or fix bugs or deal with broken code … 

The money they aimed for is the bare minimum, which goes towards things like basic server costs and domain names and legal advice and so forth, but they don’t just “pocket” the rest (as people claim). It’s not a business. It has no advertisements. It needs some “rainy day” cash to function. 

You can’t ask a charity to give money to another charity. 

It needs what it gets to function and improve. 

kiena-tesedale replied to this post

They don’t “pocket” excess money. They have a
publicly accessible budget – waaaay more info than most charities, in
fact. In it, you can clearly see where each dollar goes. (Also, you are
vastly underestimating either how much traffic AO3 gets or how much
servers/hosting costs.)                    

In my experience, people who don’t work in web design and hosting just have no concept of how heavy a load something like AO3 would have. Not only is the traffic absolutely buck wild, but the quantity of data that archive needs to store is fuckoff crazy.
I’m talking “more than the library of congress” crazy. The only reason
it doesn’t require Netflix levels of data serving is that it’s text
based rather than video.

AO3 is in the top 300 websites in the world, and the top 100 in the US. It is the number 2 literature website.

Number 2 in the entire world. JSTOR is 20.

It sees about 6 million people a day.
About 250k an hour. Each of those people is loading multiple pages, many are running
searches that execute on literally hundreds of potential variables per
search. The demands involved are astronomical.

JSTOR, btw, makes 85 million dollars a year.

It’s 18 ranks below AO3′s traffic, and takes in 650 times the amount of money.

But let’s say you think that’s an unfair comparison. Would you say that the Project Gutenberg Literature Archival Group- another text based archive that handles literature operating outside traditional copyright requirements- is more similar?

Because it sees all of 4% of the traffic that AO3 handles.

Care to guess its budget?

Double that of AO3.

AO3 is doing shit on the kind of shoestring budget that I fully, 100% cannot comprehend. And that’s just the archival service.

The 130k also pays for the OTW’s legal team, which they use to defend the right of fandom to fucking exist.

It’s
absolutely batshit fucked up that people are fighting to have the OTW
defunded and AO3 shut down. They are the only organized group that
actually stands directly between fandom- all the art and the fics and
the vids and the music and the chats and the memes and everything we
love about interactive, transformative work- and an incalculable amount of lawsuits.

Okay, once again, just a small point of clarification on the legal element of this. OTW’s legal team is all volunteer, as is the rest of the org, so, actually, no, that 130k does not go to any of the professional attorneys who are “on staff” at OTW. They are gifting their time.

HOWEVER, when legal issues arise where a consulting attorney from an outside firm needs to be brought in–and this can be anything from a potential change in the by laws that OTW wants looked over by an independent party, or concern that the org id’s about to get sued on grounds of copyright infringement–then, yes, those outside contractors need to get paid.

That said, part of the 130k does go to incidental expenses for the legal team, like traveling in order to testify before the copyright office during the trienniel hearings.

I’m in no way saying the money is not used wisely, as far as I can tell, this year’s budget is very well thought out, and it’s good to hear that the org is finally capable of investing for potential problems down the road. I’m just stating that OTW’s law team does not get any of those funds.

penfairy:

one thing me n my art loving gf would do is visit galleries and play a game called “root, loot or boot” 

the gist is that you would look at a group of paintings in a room and decide which figure in the painting you’d root (fuck, in Australian slang), which painting you’d loot (steal and put on your wall at home) and which painting you’d boot (punt into the garbage because it’s shit and Not Art)

a couple of things about my experiences:

1. this game is a lot more fun if you’re attracted to women because there’s so many Hot Gals to choose from 

2. if you are attracted to men, you will spend a lot of time going “well, looks like I’ll have to pick jesus again” as my bi gf did

3. it gets more complicated in modern art museums and you find yourself having saying, “I’d fuck the rhombus” “you CAN’T fuck the rhombus” “then I’ll fuck that blue squiggle thing. what’s it called?” “creeping existential dread in blue” “then does that mean I’m fucking the squiggle or am I getting fucked by the existential dread it represents?” “aren’t we all already getting fucked by existential dread?”

4. if you play this with an art history nerd, they may decide to kill you over one of your “boot” choices

5. you will get Disapproving Looks from other patrons who overhear your heated debates

6. it’s also the best fun you’ll ever have in an art gallery